Events

CBH Hosts Autumn Art Lectures 2024: Creation & Liberation
 

30 October - 5 December, 2024

Autumn is here, and for this year’s Art Lectures we have partnered with the University of Bristol’s Centre for Black Humanities! Bringing together a rich chorus of speakers, our new series invites you to consider the potential for liberation offered by creativity in all its forms. Across five events that will take us from the unexpected intersections of hip hop and gardening to the history and legacies of the Tudor court musician, John Blanke, we will examine the threads of power, protest and art-making that weave together across the work of artists, writers and musicians. Join us as we move from Bristol’s Central Library to the RWA’s garden and from the local Jungle scene to celebrated novelist Monique Roffey’s imaginary island of St Calibri to celebrate artistic expression that challenges, uplifts, and liberates.

The Autumn Art Lecture series is hosted by the University of Bristol’s Faculty of Arts, Law & Social Sciences with support from the Centre for Black Humanities and Bristol Ideas.

Beyond the Baseline in Bristol: A Conversation with DJ Krust

Bristol Central Library

6:30-8pm

As a special extension of the Beyond the Bassline exhibition, Autumn Art Lectures and the Centre for Black Humanities are pleased to host the pioneering DJ Krust, in conversation with DJ and edm researcher Marko Higgins (University of Bristol). As DJ and co-founder of Full Cycle records, member of the Fresh 4 and Reprazent, he is a pioneer of Bristol drum and bass and an innovator who helped push the genre forward. They will discuss past, present, and future of Krust’s life and career, and provide a sneak preview of his new jungle exhibition.

Hip Hop Gardens: Creative Change for a New Future

14 November, 2024

6:30-8PM

Join us at the Royal West of England Academy (RWA) to think through the intersections of Hip Hop and gardening as forms of creative expression. Leading with permaculture values of people care, planet care and fair share we will learn with creative practitioners MoYAH and Ian Soloman-Kawall and Bristol-based community herbalist Maria-Fernandez Garcia across an evening of creativity and interaction.

The John Blanke Project: Reimagining the Black Tudor Trumpeter

21 November, 2024

6:30-8PM

Wills Memorial Building

An introduction to John Blanke and the John Blanke Project by Michael Ohajuru, FRSA.  John Blanke was the Black trumpeter to the courts of Henry VII and Henry VIII, the first person of Black African descent in British history for whom we have both a record and an image. He has become the poster boy for the Black presence at the court of Henry VII and Henry VIII. The John Blanke Project is a contemporary art and archive project celebrating John Blanke’s presence in British history through the works of artists, poets, rapper, photographers, playwrights and historians.

Passiontide: A Reading and Conversation with Monique Roffey

5 December, 2024

6:30-8PM

Peele Lecture Theatre

Join us for an evening of reading and conversation with award-winning author Monique Roffey. We will be transported to the fictional island of St Calibri, as Monique reads from her celebrated recent novel Passiontide (2024) before unpacking some of the key themes from the book and her broader ouevre in a conversation with Dr Leighan Renaud around protest, feminism and the liberatory possibilities of Carnival.

Book Tickets!

The Autumn Art Lectures are free and open to all. To book tickets please visit our Eventbrite page.

ODSECS 36 x CBH: Deanna Koretsky & Manu Chandler

How Black Vampires Help Us Rethink Race in the Long 18th Century: A Conversation
 
Abstract:  Professors Deanna Koretsky and Manu Chander discuss the function of race in foundational efforts to define the human by considering the limit case of the black vampire. With particular attention to Uriah Derick D’Arcy’s The Black Vampyre; A Legend of St. Domingo (1819), they consider whiteness and blackness, slavery and freedom, sexuality and futurity. Key to their discussion is what these seemingly simple concept-pairings leave out: the dynamics of race irreducible to static categories of difference. Attendees can access the novella at https://jto.americanantiquarian.org/wp-content/uploads/2019/08/Black-Vampyre-for-JTO.pdf.

 

UCT-Bristol Fellow Seminars

Dr Shanaaz Hossein

 Dialogue 1:  The elephant in the room: Decolonising teaching and research in higher education in South Africa

 22 July, Arts Complex Research Space H1.020

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As a black social work South African academic, I have been engaging with decolonial thought unintentionally for the past 10 years and intentionally in the last 5 years. In this discussion I reflect on the transformation process occurring in higher education in South Africa where the #feesmustfall #rhodesmust fall movement highlighted the need for transformation in higher education. Despite the dawn of democracy in 1994 many higher education institutions were slow to transform and with questions being raised as to what decoloniality meant in practice for teaching, learning and research. In this discussion I reflect on my own teaching and learning at two very higher education institutions, one conservative while the second institution was at the epicentre of the fall movement. I do this acknowledging positionality, multiple heritage, race, gender and class within the context of Cape Town and South Africa.

 

Dialogue 2: Vulnerability as a black researcher working with black families

6th August, Arts Complex Research Space, H1.020

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Vulnerability is described as uncertainty, risk and emotional exposure; however, it is also fundamental and necessary (Brown, 2012). In this talk I reflect on the interviews I had with vulnerable families, my own vulnerability as a researcher and conversations with academic mentors. The conversations have informed my practice because the dialogue enabled me to find the words which I had not been able to access, making the conversations essential for my survival skills as a black researcher.  I became aware of my vulnerability as a black academic and researcher within the research process as well as within practice as a teacher. The families I engaged with were vulnerable because they were viewed as families at risk for not only poverty, substance misuse but also marginalised as they were living in a rural community and were of a mixed racial background living within South Africa. The research team deliberately chose participatory learning action tools to collect data to reduce the risk to the families. Despite the success of using participatory methodology as well as following strict ethical procedures. I was not prepared for the vulnerability of the participants. I listened to families tell stories of racial discrimination express their concerns for safety as well as their daily struggle to survive poverty. As a black academic and researcher in South Africa, research always involves vulnerability because we are confronted not only with our own vulnerability but also our participants’ vulnerability.  Our participants marginalization may often reflect our own experience.

 

Dialogue 3:  Exploring memory and identity with youth who are have a slave heritage: Interdisciplinary work with historians and museums

Date :20th August, Location TBA

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This discussion is based on an interdisciplinary project between social work and the heritage museum in Cape Town. Communities of slave descendants in South Africa were denied information regarding their heritage due to colonialism and apartheid. Furthermore, there are ambiguities of owning a slave heritage.  The project was an international collaboration in partnership with the Smithsonian Museum and Iziko Slave lodge in Cape Town.  The work was based on the São José Paquete Africa slave ship which sunk off the coast in Cape Town. The excavation of the ship produced powerful evidence of the Middle Passage.  The artifacts were exhibited at the slave lodge museum, was used to discuss issues of social justice. Using maps of history and history timelines (Denborough, 2008) in conjunction with the San Jose exhibit enabled young people to reflect on current and historical injustice. The project was an example how interdisciplinary research and practice has been used to highlight narratives which have been subjugated but also able to produce new narratives of slave descendants.

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